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Emily

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You can do that?

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Author Topic: Slow Going  (Read 838 times)
Juliet
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« on: February 08, 2010, 07:46:36 PM »

This is my first time working on a photo with this kind of damage and it has been incredibly slow going.  My goal is to get rid for all the speckling from the original photo without creating a result that looks too painted.  I feel like I've been working on this forever and that it's improving, but I'm just not certain how far I should take the restoration, and when I risk losing the photograph below the photoshop.

So far, my work has mostly consisted of layering translucent guasian blurs and painting using a translucent, soft brush, as well as working some with the levels.  I'd love some advice and any techniques that might help.  Also, what do people think about the background? The colors make me think that it might be a Christmas tree behind him, but my instinct is to replace it with a single-color green backdrop.

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glennab
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« Reply #1 on: February 08, 2010, 11:06:41 PM »

Juliet, you certainly chose a monster. Believe it or not, I have one even worse than this, except that it's B&W.  I did a little messing around with your original to see what I could pull out, and I'll post it for you.  I worked on little bits here and there to give you an idea of good ways to pull out information without getting too much of a "painterly" look and keep a little texture.

I usually start with a 7px brush set at 70% opacity and a slightly blurred edge.  I'll find an area that looks close to what I image the original color might be and clone around that area until I get color that looks fairly consistent but still has a bit of texture.  Once I have that area, I work with the patch tool in small increments to pull more of the color and texture into damaged areas.  If I have a discolored area, I clone first, then if I've lost too much texture, I'll go back with the patch tool. 

I just played a little with his hair.  I use the smudge tool and try to pull the dots and everything into the shape I think the hair might be - the direction of the strands.  Then I add color with the brush tool and smudge that as well.  There are a number of really good tutorials online for creating hair that have helped me so much.  Hair is DEFINITELY NOT my strong point.

I think you're right about the background being a Christmas tree.  I'd follow the color, smooth it out a little and not worry too much about defining anything.  Just leave it a pleasant blur of colors. You already have a start on that.  I did note that you have a few obvious cloned areas.  There's less of that if you use a lower opacity small brush and come at your color from several directions.

Tedium is the word!  Every time I get frustrated and try to do too much at once I end up with crap.  As I said, my sample is just bits and pieces, but it's just to show you how I'd attack it differently.  Once you get your skin areas smooth, if there are shading problems, you can dodge and burn at a very low opacity to get your shapes back.  I've gotten to the point that I use the clone and patch tools almost exclusively, especially on skin.

Good luck! (P.S. my little boy is taking forever, too.  Finding features under all the polka spots is a real challenge.  I'll be posting him before long, and YOU can give ME feedback!)

Here's my example.


GK
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You must give some time to your fellow men. Even if it's a little thing, do something for others - something for which you get no pay but the privilege of doing it. -Albert Schweitzer

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Mhayes
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« Reply #2 on: February 09, 2010, 03:02:41 PM »

Juliet, I can't add much more to what has been said, but I would go back and lighten on your left side around his eye and the bridge of his nose so that it doesn't stand out. Good luck with the background and it may be a Christmas tree. I would add some green to the other side and try to do enough of a blur to suggest what might have been there.
 
Great start!

Margie
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Margie Hayes
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Juliet
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« Reply #3 on: February 11, 2010, 05:42:05 PM »

Thanks for the good advice Glennab.  I think that this is finally getting close.  I took your advice on the background.  I think it works well.  The one thing I haven't really dealt with is the hair.  I think that he might have a longish fuzzy buzz cut.  As a result, I think that it might be mostly okay the way it is.  What do you guys think.  I'd love any advice on how to push this to the point of "finished."

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lurch
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« Reply #4 on: February 11, 2010, 05:55:56 PM »

Nice job! I'd leave the hair as is.
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Mhayes
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« Reply #5 on: February 11, 2010, 09:44:32 PM »

Juliet,

Great job on this and I especially like that you worked with a terrible background and the end result looks great. This looks so much better than if you would have replaced the background as so often happens. The only thing I might do to this is duplicate the layer and add a Gaussian blur, just enough enough to blend some of the coloring on the boys face. Then do a layer maskand conceal all. With the mask black, take a paint brush to bring back (switch foreground to white to reveal) and set the brush opacity to maybe 60% and brush over the face on the skin. That will blend and as long as the blur wasn't too high, it will look good without being noticeable. Last thing, would be to clean up a little on the white strip where you see some blue color.

You almost have to smile and wonder what the kid is up to or what he has just done.  Roll Eyes

Margie
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Margie Hayes
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« Reply #6 on: February 12, 2010, 06:58:42 AM »

Great job Juliet!
Nice blending tip from Margie and 3 cheers for not replacing the background.

 Thumbs Up v.2

Hannie
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Hannie Scheltema
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Juliet
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« Reply #7 on: February 12, 2010, 11:03:34 AM »

Thanks Margie!  That masking suggestion really did the trick.  This kiddo is finally heading home!



Thanks everyone for all their great suggestions!
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